Traces, imprints, and residues form the primary code of my work. My research is rooted in a reflection on memory, not as simple recollection but as a sediment of presences that resurface and dissolve in a continuous cycle.

Figures, fragments of nature, and architectures emerge from the surface like uncertain apparitions, suspended between revelation and disappearance. They do not aim for clarity but for suggestion, inviting a dialogue between what is seen and what remains hidden.

Each work becomes an attempt to hold onto what risks fading, to preserve what survives at the edges of experience. Rather than telling complete stories, my pieces offer fragments of time that open spaces for resonance and contemplation. In this sense, art becomes a threshold: where the visible meets the invisible, where the ephemeral acquires permanence, and where the present quietly guards what endures.